At Unlimited, size matters

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Compared to last year, Unlimited is rather disappointing, however, there are a few redeeming pieces, notably Kenneth Anger’s fabulous triptych 'Inauguration of the Pleasure Dome 1954' (2014), firmly establishing the experimental queer film director’s work in the museum.
Hans-Peter Feldmann



Hans-Peter Feldmann is everywhere with his series of paintings found in flea markets, this time representing a large series of landscapes. Saudi artist Maha Malluh’s gigantic artwork immediately brings to mind the work of Subodh Gupta with the use of everyday pots and pans; Kader Attia presents presents a performance work on Arab revolutions and the destruction of culture - in this case the Museum of Cairo -  whilst Pedro Reyes brings us orchestra, of which the reading is rather complex.
 

HAPPENING
Food for Thought 'Almuallaqat', 2014, Maha Malluh

 
Martin Boyce delivers one of his most beautiful installations We Are Resistant, We Dry Out in the Sun (2004).

 
HAPPENING
Yearbook by Ryan McGinley 



 
Ryan McGinley’s Yearbook makes an appearance, assembling 500 photos of nudes taken in his studio; a work by Gary Simmons,  Recapturing Memoires of the Black Ark (2014), is rather miserably installed, and yet seems to outdo those around it.
 
We have understood that at Unlimited, size does matter.