How Art International fared in the shadows of the Bienali

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Under the blazing sun, Istanbul’s international art fair opened its doors for its third edition under the artistic direction of Stéphane Ackermann. It is a backdrop of national uncertainty regarding politics and economics, yet the crowds flocked to the opening and the following days at the fair. Initially due to run for three days, the organizers ended up lopping off the final day due to the overlap with the city’s biennial.


Art International is the younger sister of Contemporary Istanbul, the latter takes place in November hosting 87 galleries from 27 countries; whilst Art International this year welcomes many first-time participants including Victoria Miro (London), Sakshi Gallery(Mumbai), The Empire Project (Istanbul), Aspan Gallery (Almaty), Aicon Gallery (London, New York) and Galerie du Monde (Hong Kong). A particularly stand-out booth was presented by Parisian gallery Suzanne Tarasieve who brought what might have been the most impressive piece in the entire fair, a Markus Lüpertz, Die Vertreibung aus dem Serail (1987) created in the Sainte-Irène church of Istanbul for an edition of the Istanbul Biennial. The work was presented alongside Michelangelo Pistoletto’s Venus of the Rags and Arnulf Rainer’s series Faces of Christ.
 

HAPPENING
Markus Lüpertz, Die Vertreibung aus dem Serail (galerie Suzanne Tarasieve)


Other highlights include Jérôme Poggi’s presentation of two large works on paper by Larissa Fassler entitled Taksim square : March 31-June 9. Realized during a residency in Istanbul earlier this year, Fassler played witness to the concerns of the Turkish people in the lead up to parliamentary elections last spring that eventually did not result in the formation of a government. Fassler represents Turkey’s symbols in the Barthesian sense: a red flag with its white crescent, simit, a Turkish bagel, not drawn but present in writing, like the Police, or, Polis, or union birlik. The absence of people in this work gives added strength to these inscriptions.
 

Larissa Fassler, Taksim square : March 31-June 9 (galerie Jérôme Poggi


Galerie Lelong, who will also participate in the November edition of Contemporary Istanbul came with works by Jaume Plensa — currently exhibiting at the Biennale di Venezia —, Kiki Smith, a work by Markus Lüpertz and a portrait of Sena by Ramazan Bayrakoğlu who will exhibit at the gallery in Paris next week.
 

 

 
In terms of sales, the report is mixed — whilst some galleries claim to be satisfied, others did not sell any work, and can only take solace in the new contacts that they might have made. Whilst Art International cannot quite rest on its established reputation like Contemporary Istanbul can, this seedling fair remains intimate and selective.